A beautiful landscape, with the corn bright in it, but not abundant. Patches of poor rye where corn should have been, patches of poor peas and beans, patches of most coarse vegetable substitutes for wheat.
On inanimate nature, as on the men and women who cultivated it, a prevalent tendency towards an appearance of vegetating unwillingly—a dejected disposition to give up, and wither away.
Monsieur the Marquis in his travelling carriage (which might have been lighter), conducted by four post-horses and two postilions, fagged up a steep hill.
A blush on the countenance of Monsieur the Marquis was no impeachment of his high breeding; it was not from within; it was occasioned by an external circumstance beyond his control—the setting sun.
The sunset struck so brilliantly into the travelling carriage when it gained the hill-top, that its occupant was steeped in crimson. 'It will die out,' said Monsieur the Marquis, glancing at his hands, 'directly. ' In effect, the sun was so low that it dipped at the moment.
When the heavy drag had been adjusted to the wheel, and the carriage slid down hill, with a cinderous smell, in a cloud of dust, the red glow departed quickly; the sun and the Marquis going down together, there was no glow left when the drag was taken off.
But, there remained a broken country, bold and open, a little village at the bottom of the hill, a broad sweep and rise beyond it, a church-tower, a windmill, a forest for the chase, and a crag with a fortress on it used as a prison.
Round upon all these darkening objects as the night drew on, the Marquis looked, with the air of one who was coming near home. The village had its one poor street, with its poor brewery, poor tannery,