During the first fortnight in April, Jean Valjean took a journey. This, as the reader knows, happened from time to time, at very long intervals. He remained absent a day or two days at the utmost. Where did he go? No one knew, not even Cosette.
Once only, on the occasion of one of these departures, she had accompanied him in a hackney-coach as far as a little blind-alley at the corner of which she read: Impasse de la Planchette. There he alighted, and the coach took Cosette back to the Rue de Babylone.
It was usually when money was lacking in the house that Jean Valjean took these little trips. So Jean Valjean was absent. He had said: 'I shall return in three days. ' That evening, Cosette was alone in the drawing-room.
In order to get rid of her ennui, she had opened her piano-organ, and had begun to sing, accompanying herself the while, the chorus from Euryanthe: 'Hunters astray in the wood! ' which is probably the most beautiful thing in all the sphere of music.
When she had finished, she remained wrapped in thought. All at once, it seemed to her that she heard the sound of footsteps in the garden.
It could not be her father, he was absent; it could not be Toussaint, she was in bed, and it was ten o’clock at night. She stepped to the shutter of the drawing-room, which was closed, and laid her ear against it.
It seemed to her that it was the tread of a man, and that he was walking very softly. She mounted rapidly to the first floor, to her own chamber, opened a small wicket in her shutter, and peeped into the garden. The moon was at the full.
Everything could be seen as plainly as