Slang is the tongue of those who sit in darkness. Thought is moved in its most sombre depths, social philosophy is bidden to its most poignant meditations, in the presence of that enigmatic dialect at once so blighted and rebellious. Therein lies chastisement made visible.
Every syllable has an air of being marked. The words of the vulgar tongue appear therein wrinkled and shrivelled, as it were, beneath the hot iron of the executioner. Some seem to be still smoking.
Such and such a phrase produces upon you the effect of the shoulder of a thief branded with the fleur-de-lys, which has suddenly been laid bare. Ideas almost refuse to be expressed in these substantives which are fugitives from justice.
Metaphor is sometimes so shameless, that one feels that it has worn the iron neck-fetter.
Moreover, in spite of all this, and because of all this, this strange dialect has by rights, its own compartment in that great impartial case of pigeon-holes where there is room for the rusty farthing as well as for the gold medal, and which is called literature.
Slang, whether the public admit the fact or not has its syntax and its poetry. It is a language. Yes, by the deformity of certain terms, we recognize the fact that it was chewed by Mandrin, and by the splendor of certain metonymies, we feel that Villon spoke it.
That exquisite and celebrated verse— Mais où sont les neiges d’antan? But where are the snows of years gone by? is a verse of slang. Antan—ante annum—is a word of Thunes slang, which signified the past year, and by extension, formerly.
Thirty-five years ago, at the epoch of the departure of the great chain-gang, there could be read in one of the cells at Bicêtre, this maxim engraved with