ARGUMENT. THE DUEL OF MENELAUS AND PARIS. The armies being ready to engage, a single combat is agreed upon between Menelaus and Paris (by the intervention of Hector) for the determination of the war. Iris is sent to call Helen to behold the fight.
She leads her to the walls of Troy, where Priam sat with his counsellers observing the Grecian leaders on the plain below, to whom Helen gives an account of the chief of them. The kings on either part take the solemn oath for the conditions of the combat.
The duel ensues; wherein Paris being overcome, he is snatched away in a cloud by Venus, and transported to his apartment. She then calls Helen from the walls, and brings the lovers together.
Agamemnon, on the part of the Grecians, demands the restoration of Helen, and the performance of the articles. The three-and-twentieth day still continues throughout this book. The scene is sometimes in the fields before Troy, and sometimes in Troy itself.
Thus by their leaders’ care each martial band Moves into ranks, and stretches o’er the land. With shouts the Trojans, rushing from afar, Proclaim their motions, and provoke the war.
So when inclement winters vex the plain With piercing frosts, or thick-descending rain, To warmer seas the cranes embodied fly,[108] With noise, and order, through the midway sky; To pigmy nations wounds and death they bring, And all the war descends upon the wing, But silent, breathing rage, resolved and skill’d[109] By mutual aids to fix a doubtful field, Swift march the Greeks: the rapid dust around Darkening arises from the labour’d ground.
Thus from his flaggy wings when Notus sheds A night of vapours round the mountain heads, Swift-gliding mists the dusky fields invade, To thieves more grateful than the midnight shade; While scarce