So many grinning, stupid faces! Thea was sitting by the window in Bowers’s studio, waiting for him to come back from lunch. On her knee was the latest number of an illustrated musical journal in which musicians great and little stridently advertised their wares.
Every afternoon she played accompaniments for people who looked and smiled like these. She was getting tired of the human countenance. Thea had been in Chicago for two months.
She had a small church position which partly paid her living expenses, and she paid for her singing lessons by playing Bowers’s accompaniments every afternoon from two until six. She had been compelled to leave her old friends Mrs. Lorch and Mrs.
Andersen, because the long ride from North Chicago to Bowers’s studio on Michigan Avenue took too much time—an hour in the morning, and at night, when the cars were crowded, an hour and a half.
For the first month she had clung to her old room, but the bad air in the cars, at the end of a long day’s work, fatigued her greatly and was bad for her voice. Since she left Mrs.
Lorch, she had been staying at a students’ club to which she was introduced by Miss Adler, Bowers’s morning accompanist, an intelligent Jewish girl from Evanston. Thea took her lesson from Bowers every day from eleven-thirty until twelve.
Then she went out to lunch with an Italian grammar under her arm, and came back to the studio to begin her work at two. In the afternoon Bowers coached professionals and taught his advanced pupils.
It was his theory that Thea ought to be able to learn a great deal by keeping her ears open while she played for him. The concert-going public of Chicago still remembers the long, sallow, discontented face